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LOUISA PALMI







“As I explore the new territories of music, I invite you to share my sonic explorations with me.”


b. 1995 - Tromsø, Norway/Stockholm, Sweden


I am a composer, artist, and digital orchestra conductor. In my work I combine electronics, electroacoustics and 3D sound technology to create immersive audio experiences. My compositions are characterized by evocative and contrasting soundscapes, exploring the transformative impact of manipulating and spatializing sound on the perception of space. Drawing inspiration from Arctic nature, I delve into social phenomena through the lens of the Arctic gaze, often incorporating field recordings into my compositions.

I hold a Bachelor's degree from the Academy of Music and Drama in Göteborg, where I was studying under Natasha Barrett. Currently, I am pursuing a Master's in Electroacoustic Composition at the Royal Music Academy in Stockholm.

My work has quickly gained recognition, leading to presentations at venues across Europe, including Inkonst in Malmö, Palace of the Grand Dukes in Vilnius, Sentralen in Oslo, Insomnia Festival, 3:e Våningen in Göteborg, and Verona Resona. I frequently engage in collaborative projects and have partnered with various artists, such as Per Martinsen, Mental Overdrive, Arve Henriksen, and Toby Kassell, a dancer and choreographer.

In 2023 I got the prestigeous title Emerging Artist from the Arctic Arts Festival and was also electected to be part of KUPP 2.2. KUPP is a development program for young, promising composers under the age of 35.

Ambisonics is a full-sphere surround sound format. It covers sound sources around, above and below the listener. Contrasting other multichannel surround formats, it allows audio production and playback without using the traditional channel-based methodology. This enables reproduction on any number of speakers in different configurations.